Jennifer Lopez

Το τελευταίο ρε που ήταν και μπομπ

Τακτοποιώ κάτι φακέλους που έχω από δημοτικό και γυμνάσιο και δείτε τι βρήκα 

Αμαρτωλό παρελθόν
Την βρήκα μαζί με αυτήν.


Shakira διαχρονική αξία 

Σκέφτομαι σοβαρά να το τσιμπήσω 
Βέβαια δεν θέλω να δώσω ένα σκασμό για μεταφορικά
Μακαρο να έρθει Ελλάδα

US Vogue

ΕΡΧΕΤΑΙ ΑΛΜΠΟΥΜ

“I’m not one of these tortured artists,” Lopez says. “Yes, I’ve lived with tremendous sadness, like anybody else, many, many times in my life, and pain. But when I make my best music or my best art is when I’m happy and full and feel lots of love.”

Such was the mood that surrounded the writing and recording of her forthcoming album, which will be her first in nearly a decade. I’m not allowed to reveal the title, but suffice it to say that it serves as a kind of bookend to This Is Me…Then, the album she released 20 years ago in the heady early days of her relationship with Affleck.

Lopez’s longtime manager, Benny Medina, told me that Lopez has a way of falling in love with whatever she is immersed in at the moment and it is this album that pulls Lopez’s enthusiasm at the moment. She says that it will be the most honest work she has ever done, “kind of a culmination of who I am as a person and an artist.

People think they know things about what happened to me along the way, the men I was with—but they really have no idea, and a lot of times they get it so wrong. There’s a part of me that was hiding a side of myself from everyone. And I feel like I’m at a place in my life, finally, where I have something to say about it.

”She lends me her AirPods so that I can listen to a few rough cuts from the record. There are plaintive, confessional songs, reflections on the trials of her past, upbeat jams celebrating love and sex. As I’m listening, I notice that she has closed her eyes, and she is dancing in her chair and singing along to her own voice. For a moment it occurs to me that she might be treating me to a little performance, but no, she is just so into it.


Lopez has grand, multimedia plans for her current musical project. She wants to create a musical odyssey in the manner of Pink Floyd’s The Wall, she says—but with a message about hope and love. Perhaps the most poignant moment in Halftime, the documentary about her Super Bowl year released on Netflix last June, occurs when Lopez is reading out loud from an article about herself in Glamour. “It’s thrilling to see a criminally underrated performer”—here she pauses, and tears well in her eyes—“get her due from prestige film outlets.” In fact Lopez did not quite get her due, having been denied an Academy Award nomination, which some in the industry viewed as a snub. A Grammy continues to elude her, too. Despite her stardom, she has spent years fighting for credibility, and for all her artistic accomplishment, to some people she is, simply, Jennifer Lopez for a living. This hurts less than it once did.